2020s
PANTHEON
EXCELLENT
GREAT
VERY GOOD
GOOD
2025
- THE PHOENICIAN SCHEME (Wes Anderson, USA/Germany)
73
i
- ONE BATTLE AFTER ANOTHER (Paul Thomas Anderson, USA)
70
i
- NOUVELLE VAGUE (Richard Linklater, France/USA)
68
i
- SOUND OF FALLING (Mascha Schilinski, Germany)
66
i
- COPPER (Nicolás Pereda, Mexico/Canada)
64
i
2024
- FURIOSA: A MAD MAX SAGA (George Miller, Australia/USA)
82
i
- KOTTUKKAALI (P. S. Vinothraj, India)
74
i
- LOS CAPÍTULOS PERDIDOS (Lorena Alvarado, Venezuela)
73
i
- INVENTION (Courtney Stephens, USA)
73
i
- ALL WE IMAGINE AS LIGHT (Payal Kapadia, France/India/Netherlands/Luxembourg/Italy/Switzerland)
69
i
- ANORA (Sean Baker, USA)
67
i
- ARCHIPELAGO OF EARTHEN BONES — TO BUNYA (Malena Szlam, Canada/Chile/Australia)
65
SHORT
i
- PORTRAIT OF A CERTAIN ORIENT (Marcelo Gomes, Brazil/Italy/Lebanon)
64
i
- REVOLVING ROUNDS (Christina Jaurerik & Johann Lurf, Austria)
64
SHORT
i
2023
- THE CURSE (Nathan Fielder, David Zellner & Nathan Zellner, USA)
81
SERIES
i
- MAESTRO (Bradley Cooper, USA)
78
i
- MAY DECEMBER (Todd Haynes, USA)
75
i
- BARBIE (Greta Gerwig, USA/UK)
71
i
- KAYO KAYO COLOUR? (Shahrukhkhan Chavada, India)
69
i
- THE KILLER (David Fincher, USA)
69
i
- THE WONDERFUL STORY OF HENRY SUGAR AND THREE MORE (Wes Anderson, UK/USA)
68
i
- A PRINCE (Pierre Creton, France)
67
i
- LAST SUMMER (Catherine Breillat, France/Norway)
67
i
- THE MAJOR TONES (Ingrid Pokropek, Argentina)
67
i
- IN WATER (Hong Sang-soo, South Korea)
66
i
- THE SHADOWLESS TOWER (Zhang Lu, China)
65
i
- ASTEROID CITY (Wes Anderson, USA)
65
i
- THE ZONE OF INTEREST (Jonathan Glazer, USA/UK/Poland)
65
i
- THE BOY AND THE HERON (Hayao Miyazaki, Japan)
64
i
- THE FEELING THAT THE TIME FOR DOING SOMETHING HAS PASSED (Joanna Arnow, USA)
64
i
- INSIDE THE YELLOW COCOON SHELL (Phạm Thiên Ân, Vietnam/France/Singapore/Spain)
64
i
- ANATOMY OF A FALL (Justine Triet, France)
64
i
- THE ADULTS (Dustin Guy Defa, USA)
63
i
2022
- I HAVE ELECTRIC DREAMS (Valentina Maurel, France/Costa Rica/Belgium)
79
i
- ONDE É ESTA RUA? (João Pedro Rodrigues & João Rui Guerra da Mata, Portugal/France)
76
i
- THE PLAINS (David Easteal, Australia)
B+
i
- PERSONNE N'EST UN HÉROS (Alain Guiraudie, France/Belgium)
B+
i
- TRENQUE LAUQUEN (Laura Citarella, Germany/Argentina)
i
- CRIMES OF THE FUTURE (David Cronenberg, Canada/France/Greece/UK)
i
- HUMAN FLOWERS OF FLESH (Helena Wittmann, France/Germany)
i
- A PIECE OF SKY (Michael Koch, Switzerland/Germany)
i
- TERRIFIER 2 (Damien Leone, USA)
i
- YOU HAVE TO COME AND SEE IT (Jonás Trueba, Spain)
i
- WALK UP (Hong Sang-soo, South Korea)
i
- TRIANGLE OF SADNESS (Ruben Östlund, Sweden/France)
i
- THE FACE OF THE JELLYFISH (Melisa Liebenthal, Argentina)
i
2021
- EL GRAN MOVIMIENTO (Kiro Russo, Bolivia/Qatar/France/Switzerland/UK)
86
i
- MIDNIGHT MASS (Mike Flanagan, Canada/USA)
80
SERIES
i
- WE’RE ALL GOING TO THE WORLD’S FAIR (Jane Schoenbrun, USA)
79
i
- EL PLANETA (Amalia Ulman, USA/Spain)
79
i
- BRUNO REIDAL (Vincent Le Port, France)
76
i
- THE TSUGUA DIARIES (Maureen Fazendeiro & Miguel Gomes, Portugal/France)
75
i
- ÎNTREGALDE (Radu Muntean, Romania)
73
i
- SYCORAX (Matías Piñeiro & Lois Patiño, Spain/Portugal)
72
SHORT
i
- FIRST TIME: THE TIME FOR ALL BUT SUNSET – VIOLET (Nicolaas Schmidt, Germany)
70
MEDIUM
i
- ANNETTE (Leos Carax, France/Belgium/Germany)
i
- VORTEX (Gaspar Noé, France/Belgium/Monaco)
i
- ACTUAL PEOPLE (Kit Zauhar, USA)
i
- INTRODUCTION (Hong Sang-soo, South Korea)
i
- IN FRONT OF YOUR FACE (Hong Sang-soo, South Korea)
i
- SOUAD (Ayten Amin, Egypt/Tunisia/Germany)
i
- PEBBLES (P. S. Vinothraj, India)
i
- UNCLENCHING THE FISTS (Kira Kovalenko, Russia)
i
- THE FRENCH DISPATCH (Wes Anderson, USA/Germany)
i
- PETITE MAMAN (Céline Sciamma, France)
i
- NIGHT COLONIES (Apichatpong Weerasethakul, Thailand)
SHORT
i
- MEMORIA (Apichatpong Weerasethakul, Colombia/Thailand)
i
- THE GIRL AND THE SPIDER (Ramon Zürcher & Silvan Zürcher, Switzerland)
i
2020
- LAS NIÑAS (Pilar Palomero, Spain)
83
i
- TENDER (Isabel Pagliai, France)
79
MEDIUM
i
- THE DISCIPLE (Chaitanya Tamhane, India)
77
i
- SHORT VACATION (Kwon Min-pyo & Han-Sol Seo, South Korea)
i
- POUR ELSA (Carmen Leroi, France)
SHORT
i
- THE WOMAN WHO RAN (Hong Sang-soo, South Korea)
i
- WORLD OF TOMORROW: THE ABSENT DESTINATIONS OF DAVID PRIME (Don Hertzfeldt, USA)
MEDIUM
i
- RESERVE (Gerard Ortín Castellví, Spain)
SHORT
i
- SORDID SCANDAL (Amalia Ulman, USA)
SHORT
✎
i
A playful and biting piece of meta-fiction that blurs the lines between persona and performance.
- LAS RANAS (Edgardo Castro, Argentina)
i